Studio 49
Sr Member
So through my time researching the Ralph McQuarrie (RMQ) Vader I have come across all sorts of other concepts that were drawn up for Darth Vader in A New Hope. Regardless of whether it was RMQ or some else they are still interesting to look at and think "What if?" It is very likely these will never become Legion Approved due to the significant lack of references and details for some but I wanted to post my research regardless.
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To start with I have some images that I found accompanied by information from "The Secret History of Star Wars"
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And the final quote that is relevant from "The Secret History of Star Wars." This time regarding what Vader looked like beneath the dome
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Ok so that concludes the section in which I have found some what reliable info and pictures for. Now this is where it gets a bit hazy as we head into other less referenced concepts on which I will try and provide some background.
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This is a concept of Vader board Tontine IV
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A set of storyboard panels that I know nothing about.
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To me this is one of the strangest sets of drawings that I found. At that this moment in time someone was lobbying to add some sort of horns to the side of Vaders helmet and this is what they came up with.
This is the only info I could find anywhere and it was on a forum posted a few years ago with no official refences
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To start with I have some images that I found accompanied by information from "The Secret History of Star Wars"
The Visual Development of Darth Vader
In The Secret History of Star Wars, a crucial focus is the development and transformation that the character of Darth Vader undergoes. This process was described mostly in relation to the story itself, focusing mainly on his characterisation, however at times it was necessary to dwell upon his visual design as a way of drawing parallels to the story function; for instance how his armored space suit was eventually "retconned" to be made into a life-support device. Here, however, I wish to talk in more explicit detail about the visual aspect, and actually show this developmental process where possible. Here we'll examine the early concept art, the creation of the costume and the subtle but significant visual changes that slowly were wrought as the character and story changed.
In the first draft, Darth Vader is fairly inconsequential, and is merely an Imperial General; most of his later traits are exhibited instead by Prince Valorum, a Sith Lord who dresses in black robes and who speaks in terse, no-nonesense phrases. Both of these characters are human and generally unremarkable in the visual sense; no artwork was ever done. In draft two, however, the two characters were combined, and this is where the Darth Vader that we are familiar with first becomes recognizable in prototype form. Ralph McQuarrie had been hired to do sketches and paintings by this point, and one of the very first characters he tackled was Darth Vader, who is a highly memorable part of the opening sequence of the second draft script. In that version, Imperial forces capture and board a ship, much like the opening of the final film, with Vader and the stormtroopers decending onto the craft and engaging in battle. The notable deviation is that Deak Starkiller takes the role of Leia, and he faces Darth Vader in a lightsaber battle before being defeated and taken prisoner.
McQuarrie's earliest sketches depict a man similar to Valorum or General Vader from the first draft, being tall and with a flowing cape, however a distinguishinig feature is that the character wears what looks like a sort of futuristic gas mask over his face. McQuarrie explains that it is a personal respirator, because the character had to cross through space from the Imperial Stardestroyer to the rebel cruiser. "Early in the script there was a description of Vader crossing between two ships in space so I created this mask so he could breathe in space," McQuarrie explains. "George loved it." (i)Hence we have the earliest depiction of Vader, now with a personal respirator courtesy of McQuarrie.
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It appears that McQuarrie began such sketches while Lucas was in the midst of writing the second draft, because the character is described in that script as wearing the respirator mask that McQuarrie first sketched here. Following this, McQuarrie made a number of alterations at Lucas' request. The robes became more exaggerated, and the character was requested to have a wide-brimmed samurai helmet, which McQuarrie combined with his respirator to create a fearsome face-mask which completely obscured the character's face.
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McQuarrie thought that Vader would look more menacing if he was robed and armored, and so his next sketches reflected this more futuristic design. Lucas also provided McQuarrie with comic books and 1930s pulp fiction material to help steer the visual design. One of his earliest designs in this new version had Vader linked more directly to the stormtroopers, wearing a prototype stormtrooper helmet.
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With the more angular and science-fiction-based military look of the new armored version of Vader, McQuarrie also made reforms to the mask, extending the face-grill into a longer "snout" and exagerating the eyes.
And the final quote that is relevant from "The Secret History of Star Wars." This time regarding what Vader looked like beneath the dome
Finally, the world was given a brief glimpse of the man underneath the helmet. "I shot this scene very carefully," director Irvin Kershner says. "When the captain comes in and Vader is sitting in his capsule with his back towards us, all you see are scars on the back of his neck for a second. I didn't want the audience to see anything else. I imagined that beneath the mask Vader was hideous; his mouth was cut away and he had one eye hanging low." (iv) Production art would be produced for Vader's hideous face during the making of Return of the Jedi that reflects this depiction, but as Kershner describes above, it was decided that "less is more" and the character is seen only from behind.
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Ok so that concludes the section in which I have found some what reliable info and pictures for. Now this is where it gets a bit hazy as we head into other less referenced concepts on which I will try and provide some background.
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
This is a concept of Vader board Tontine IV
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
A set of storyboard panels that I know nothing about.
////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////////
To me this is one of the strangest sets of drawings that I found. At that this moment in time someone was lobbying to add some sort of horns to the side of Vaders helmet and this is what they came up with.
This is the only info I could find anywhere and it was on a forum posted a few years ago with no official refences
Additionally, one of the things John Mollo proposed as a modification to Ralph McQuarrie's Vader design was the addition of small horns to the sides of his helmet. This was presumably inspired by the kabuto of Japanese samurai, which frequently had horns attached.
Quote
Back when the other Sith Lords were still present in the third-draft script, Mollo intended this detail to carry over to their helmets as well, which greatly resembled Vader's. (Check out the figure on the right in the image below.)
Vader's horned helmet as envisioned by Mollo even made it into Ivor Beddoes' storyboards of his duel with Obi-Wan Kenobi aboard the Death Star.
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