JJ ABRAMS Enterprise

Ok, I sat here for about 5 min with the edit thread window open and "JJ ALLBRANS ENTERPRISE" written as the title... MAN, I was SOOOooo tempted... :lol

True story :$

Cheers,

Kraig

Yeah - i SCREWED up the spelling of his name - or you could say I REBOOTED his name.
 
Re: JJ AMBRANS Enterprise

Agreed.

I just can't believe a Director with the chance to produce a equally compelling flyby of the ship that started it all, would pass up that chance. That should be the goal. It's the respect it finally deserves. Put it ON THE BIG SCREEN.

That's actually a criticism I've heard of AMBRANS (LOL Still getting a chuckle out of that...) before -- namely that he thinks "small screen" and shoots in that visual style. Tight shots, shots where you have a large background but it's blurred in favor of the character in the foreground, etc. MI:3 actually got some flak for this as I recall.

Anyway, I suspect that the designers can mollify a lot of the hardcore "hard sci-fi" fans by explaining the engineering benefits of some of the changes. Like, for example, "We added a lot of curves because generally speaking a curved surface is going to be more structurally stable and less prone to pressure or depressurization than a straight line or hard edge." Or whatever. (I'm a lawyer, not a scientist.) If they can do that, it might take away some of the sting of "differentness" of the new design and make it seem less like it's different for the sake of being different.


As for those who don't get the long post about merging cigar and saucer designs and stuff, this kidn of gets back to the "wooden ships" thing I was talking about. You design primarily for function (especially with military vessels), but you can still throw in some style if you've got the ability and resources to do so. So, a swept back wedge shaped strut not only looks "faster" and "cooler", it also is less prone to shearing forces (which will still be a factor even in zero atmosphere and zero gravity -- I think).
 
Re: JJ AMBRANS Enterprise

I hear you dualedge, but design is a combination of form AND fuction... purpose AND ornament. It is a fifth dimension, beyond that which is known to man... :lol

To be sure, space craft from science fiction films can look ilke ANYTHING. Real spacecraft either have to return to Earth, and thus have aerodynamic considerations...

Good points, K!

One of these days, I hope we see a modern scifi movie that does use saucer shaped vehicles. I hope they keep that intact at least when they do the Forbidden Planet remake.

The one thing about the classic Enterprise that always confused me though was why the saucer section has to be attached to the engineering section via a big column instead of just integrating the two sort of how it is with the Enterprise E or Voyager designs.

That always seemed to be a better look to me and still keeps the nacelles out away from the rest of the ship. I always thought it was also cool that Voyager COULD land when it needed to.

Rob
 
Re: JJ AMBRANS Enterprise

he thinks "small screen" and shoots in that visual style. Tight shots, shots where you have a large background but it's blurred in favor of the character in the foreground, etc.

Did I miss where a narrow depth of field is a "small screen" visual trademark?
 
Re: JJ AMBRANS Enterprise

Hey, I dunno man. That's just the stuff I heard. Like, he uses it exclusively because he's used to framing things for small screen, when he could just as easily use a shot to set dramatic tone by focusing both the fore- and backgrounds.
 
Re: JJ AMBRANS Enterprise

he thinks "small screen"

Except for the LOST premier, which was hailed as being "cinematic", and LOST season 1 had been credited with bringing film quality production values to TV.

I don't agree with the criticism, obviously. I didn't love MI3, but it was certainly better than most of the other action flicks that came out that year. It didn't feel like I was watching a TV show.

I've heard a lot of people level the same shot at Joss Whedon for Serenity, and I never agreed with that either.
 
Re: JJ AMBRANS Enterprise

It just truly seems that from the officially released picture above, and descriptions of the official clips of the film released to the press, and comments made by JJ, and the stars of STAR TREK, that this is in NO way OUR beloved Star Trek converted to the big screen. We’re not going to see Jim Kirk as we knew him to be. By this, I mean that if (and just please bear with me here for a second) we are the sum of our experiences growing up, than this Kirk is different. No longer the straight-laced student, but now a kind of hot headed Maverick rehash from Top Gun. The new ship, the description of Kirk in the 20 minutes of film shown in Germany, and the new direction of this film all point to a fundamental change to STAR TREK. And that is NOT what Bad Robot has been telling the fans over the last year. What the picture of the Enterprise really represents is the tip of the iceberg that may well sink the whole “Enterprise” for many years to come. Please make no mistake, I wish the entire production staff of STAR TREK success on opening day (and I’ll be there), but did we really have to Michael Bay STAR TREK down to the lowest common denominator to make a successful film? I have grown tired over the last few years of films and TV that caters to the great dummed down masses of Americans that keep reality shows and American Idol on the air when clever intelligent shows like Arrested Development die a quick death (no matter how many Emmy’s it won). STAR TREK always rose above the pack in both story, visual impact, and moral substance. This new venture seams to go down the same path Hollywood has been taking us down for many years now. IDIOCRACY indeed.

John
 
I'm assuming the propulsion unit on the underside of the Kelvin isn't a warp nacelle seeing as it's stuck right to the bottom of the saucer.

I thought the whole reason behind the nacelles being stuck on pylons was to keep them away from the habituated areas of the ship...
 
Who says its stuck right to the bottom? I think if that were the case the saucer would block the view of it
 
Re: JJ AMBRANS Enterprise

I'd venture that what is more important than the design is how they use the ship in the movie. IMHO, the only movie to nail a starship battle 100% was Wrath of Kahn. It really felt like two BIG ships were duking it naval style versus all the usual more aerial dogfight style battles that work better as inspiration for Star Wars.

Hear, hear! I think the naval style battles "feel right" for Trek and it's jarring to watch those big ships fly around like they're in a dogfight.
 
USS_Kelvin_wallpaper_1_800x600.jpg


Well, maybe not plastered directly to the bottom, but certainly a lot closer than we've seen, no?
 
Re: JJ AMBRANS Enterprise

... this Kirk is different. No longer the straight-laced student, but now a kind of hot headed Maverick rehash from Top Gun.

The Jim Kirk of TOS was a hardcore "Starfleet First" type of guy, not a convert. He believed in the "military" right to his core, but like MacArthur, sometimes bent the rules and did it his way, because he felt he knew best. But his career was an extension of his belief system. The Kirk described in the scene descriptions is not that man.

_Mike
 
I'm assuming the propulsion unit on the underside of the Kelvin isn't a warp nacelle seeing as it's stuck right to the bottom of the saucer.

I thought the whole reason behind the nacelles being stuck on pylons was to keep them away from the habituated areas of the ship...

I think the nacelle is likely attached with a simiular pylon as the secondaty hull above the primary in that pic.
 
Re: JJ AMBRANS Enterprise

I have grown tired over the last few years of films and TV that caters to the great dummed down masses of Americans that keep reality shows and American Idol on the air when clever intelligent shows like Arrested Development die a quick death (no matter how many Emmy’s it won). STAR TREK always rose above the pack in both story, visual impact, and moral substance. This new venture seams to go down the same path Hollywood has been taking us down for many years now. IDIOCRACY indeed.


Interesting post, and I'll try to be respectful in my strong disagreement of it :)

I think this post very accurately captures the sentiments of MANY trek fans, while at the same time revealing the limits of their vision. It clearly demonstrates how the hard core trek fan has romanticised the history of trek, turning it into something that it never truly was.

You mention the perils of pandering to the lowest common denominator, yet ST:IV, which gained critical praise and hoards of new fans did exactly that. It was a tree hugging, feel-good space comedy. They broke ALL the rules of trek for that movie, yet it did the franchise a giant service.

For the sake of full disclosure, i should point out that i consider myself to be a hard core fan, by the way :)

I just disagree with all this talk about how trek has always been about values, continuity, and good story telling.

I believe it to be FACT that TOS was a low budget hack job that looks and feels terrible. It was, after all, cancelled after three short seasons. The fact that it gained a cult following does not logically confirm that it is a quality show... merely that a bunch of people took a liking to it. TONS of people watch American Idol. Is that necessary and sufficient proof that it's a good show? Hardly.

STAR TREK always rose above the pack in both story, visual impact, and moral substance.

Dude, are you kidding me? Did you watch a SINGLE episode of Voyager? Enterprise? a good half of TNG?? UTTER CRAP television. Visual impact? are you kidding? No matter how you slice it, the TOS sets were utter crap. In fact, they are the go-to example of cheesy sets for television whenever a discussion about poor production values comes up. You never hear anyone say "remember those cheesy cardboard sets on I Love Lucy?". Its always trek.


My point is, we've translated our love for a television show into a claim that it is quality. We've confused emotional attachment for high quality drama. For this reason, we've concluded that because thre three photos we've seen so far of the new movie do not fit our vision of Love that we've been clinging to for however many years, it must be low quality. I just don't buy it.


Oh, and please let me play the "Didn't we have this same discussion about BSG" card at this time. Give it a chance, people!! The shape of the nacelles isn't going to matter if it's a great story with compelling characters. I remember people having the same hissy fits when they rolled out pictures of the 1701-D. So silly.
 
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