Techne
New Member
Here's my newest cosplay. It's my first personal character.
His name is Amet Risu; he's a "Dark Jedi" who served with Exar Kun and Ulic Qel-Droma during the Great Sith War, thousands of years before the movie trilogies. Kun and Qel-Droma's various costumes are the strongest influence on my design.
I tried to signal the fact that he's a "Dark Jedi" of Qel-Droma's ilk (i.e. not religiously committed to the Sith so much as being opposed to the Jedi) through the orange saber, the purple robe, and the use of browns rather than just blacks (which you’d normally see in Sith).
The armor, which you can't see well while I'm wearing it, but can see in the detail shots, is a medieval style called Brigandine. The comics this character derives from, the various Tales of the Jedi series, signaled the difference between various Sith and Jedi sub-cultures and eras by basing their armor and clothes off Egyptian, Roman, and other Earth styles. I decided to go with Brigandine partly to work as real armor while dueling, but also following this idea of basing his armor off another ancient Earth style of armor.
I also played with styles that came from the Knights of the Old Republic comics (like Zayne Carrick, born 3982 BBY) and the slightly-later Old Republic video games (basic Jedi battle armor like Ven Zallow’s and Kao Cen Darach’s; ~3650-81 BBY). For comparison, Exar Kun and Qel-droma died in 3996 and 3986 BBY, respectively. All of which seems like a really long explanation but I know my fellow Star Wars folks can be deeply invested in canon details (as I am, myself) so I figured I'd throw the sources out there to put my thinking into context.
I made this armor to wear to cons, but also to wear as actual armor for my lightsaber dueling club, so all the foam, etc. was made with actual protection in mind. I would also be wearing protective gloves and a fencing helmet while dueling. We use light-touch sparring, so I’m trying to minimize the effect of a light strike, not to be a tank.
I forgot to take almost any in-process pictures, but I should be able to describe things well enough while looking at the finished pieces.
I am quite happy with this; it’s probably my technically most well-made piece so far, especially in terms of sewing. I wore it out to C2E2 at the end of February, one of the last cons to actually take effect before the Great Desolation. I also gave it a practice run doing lightsaber forms in my saber class, where it provided a good level of freedom of movement; I could do the forms well. I haven’t had a chance to duel in it yet.
Cloak
The cloak is short-sleeved, like the Old Republic cloaks worn by Ven Zallow and Kao Cen Darach. It is purple, inspired by Exar Kun.
I made it based off a bunch of patterns and instructions for Jedi robes all over the internet, which are also pretty similar to how Jawa robes are made. I folded the fabric in half at the top of the sleeves, then folded it in half again vertically. Then I cut out a mostly bell-shaped pattern with triangles for the arms.
What felt very fancy for me was double-rolling the hems to keep them fancier-looking and more finished.
I also sewed a tape up the vertical front seam on both edges.
The hood is a big rectangle folded into a square, with a curved back corner. I lined the hood so the seams would look finished. In order to attach the hood well, the seam slants down a bit on the lapels, as you can see. This seemed to be the best fit.
Honestly while it’s not like it is an amazing feat of sewing science, I was damn proud of pushing the extra level of finish beyond what I’ve done in the past. It feels like actual clothes sewing, not cosplay clothes sewing, if you catch what I mean.
I want to emphasize here, as with the rest of the costume, that while I feel like this gets across the correct “feel” for how a Jedi cloak should be put together, it is also a creatively-designed piece, and not intended to fit exactly into canon designs or the standards of formal Star Wars costuming groups like the Rebel Legion (who I fully support, but that’s not what I was going for here).
Boots
The boots are basic spacey/pirate boots from online. I like the folded-over flap but am aware that not all people believe it is a Star Wars-y aesthetic.
Anyway, one issue with the boots is that they don’t fit tightly to the leg at the top. You can see that they are loose enough to extend past the leg by at least a few inches, towards either the front or back depending on how the leg is positioned.
This was a problem since I need to tightly wrap straps around my leg to attach the shin armor.
My solution, which worked out well, was to cover some upholstery foam in fabric, then shove it in the back of the boot to make it more stable. I covered the upholstery foam with leftover fabric. I used a little black, to match the pants, on top, but didn’t have enough to make it all black. I covered the rest in brown, but that’s fine. The only part you can see, even if the backs of my legs are not covered by the cloak (as they usually are) is the top sliver that’s covered in black.
When I first put them in, these inserts rode up out of the boot over time. I now attach them to the inside of the boot using Velcro.
Straps
Being based off ‘90s designs as it is, this costume involves a lot of straps, many completely pointless, and just there for the pure strappiness of it all.
The straps are leather. I attached a couple different styles of bronze buckles to the ends, using rivets to close the ends around the buckles.
Then I used E-6000 to glue some smaller pieces of leather in loops. These small loops go through the riveted loop, and hold down the other end of the strap when it is buckled together.
For a couple straps I tied small leather thongs through the riveted loop instead, just for variety’s sake; I wanted the straps to have a somewhat jerry-rigged feel, so they’re not all the same. I punched in a bunch of holes in the other end for the buckle’s prong to go through. With a lot of holes, I can just wrap it around however I want and still get a hole that fits, instead of worrying about getting the wrapping pattern exactly the same each time I put it on.
A couple times, I riveted two lengths of leather together end to end to make a longer strap.
This was the first time I used a leather hole punch, I am kind of addicted to it now.
Leather Belts/Obi (the cloth belt)
Again, this design is based off many existing fanmade and canon Jedi belts, but I altered it as needed. Jedis typically layer three belts on top of each other: a cloth belt on the inside, called an obi, with a wider leather belt on top of that, and a thinner leather belt on top of that.
The obi is the same fabric as the tabard, which is the vertical brown sash. It’s a linen, I just liked the feel of it. I hemmed the edges, and put in three snaps at the end, the outside caps of which are hidden by the hem so you can’t see them when it’s snapped.
There are also snaps in the center, running horizontally. These connect the obi to the tabard, and the wide leather belt to the obi. I didn’t have these snaps when I first wore it, and it was OK, but over time the belt would slide down, even while just walking, and required regular adjustments to keep it in place. Under dueling conditions, it would obviously need to be fixed in place.
So, it now has small inward-facing black plastic snaps to connect the obi to the tabard, and heavier outward-facing metal snaps to connect the obi to the wide leather belt. All these snaps are covered by the wide leather belt so you can’t see them while it’s worn. I prefer the small plastic snaps for their lightness, and they work for the fabric-on-fabric connection of the obi/tabard, but the metal ones are sturdier and necessary to hold the heavier leather belt.
The wide leather belt then has inward-facing snaps to connect to the obi running through its horizontal center, and snaps at the ends to connect the ends of the belt. There is also a third snap at one end, which connects to a piece of leather that wraps vertically around the end of the belt. This piece covers up the snaps that close the belt, and itself snaps on the inside so you can’t see its own snaps. It is in the back of the belt. Most Jedi belts use a wider wraparound piece than I did here.
The wide belt also has eight outward-facing Sam Browne screw/studs in pairs. These hold the thin belt in place.
The thin belt, which runs through the Sam Browne studs, is also held in place by the vertically-wrapping piece of leather in the back. In the front, the thin belt connects at the buckle. The buckle is a thrift store-find. There are canon-style Star Wars buckles that you can get, but they’re typically associated with specific Skywalker-era Jedi, and I wanted something that was older, and unique to the character. I honestly stressed over this more than just about anything, and couldn’t find anything that felt sci-fi enough. Then I found this simple black circle on a thrift store belt, and it just felt right.
The ends of the thin belt wrap around the circle-buckle, and then attach to themselves via ¼” Chicago screws. I put a couple holes in the end so I can adjust it for tightness around my waist. When the thin belt is in place, you can’t see any of the snaps below it. The image above shows it with the thin belt partially in place so you can see where the snaps are below.
Tabard
This is the paired vertical brown sashes. Tabards are standard in Skywalker-era Jedi, but are not as ubiquitous in the Old Republic. However, it felt like a good design element to incorporate. Even in the Skywalker era, there are many different ways to do this—some longer, some shorter, etc. I designed it so they are separate in the front, but come together to create one piece of cloth in the back.
I also sewed vinyl patches on the lower front strips, the lower back strips, and over the shoulders. The intent was to create a slight extra degree of cushioning in the loins and shoulder while dueling, in addition to being a visual accent.
As I noted earlier, I originally just had the obi/belts rest on top of the tabard, but it slipped down over time, so I connected the obi to the tabard using small black snaps. You can see them here; there are two sets on the front and back because it was a pain in the butt to measure, and the weight of the belt pulled the tabard fabric down more once it was attached, so I had to raise the snaps. So I actually only use the top snaps on the front and back of the tabard.
The tabard is also connected to the chest armor by single snaps at the top of both shoulders. If you don’t have these snaps, the tabard slips off the shoulders really easily. I added them after sewing on the vinyl, but should have done it earlier. My first attempt was just to E-6000 the snaps on, but they came off after a few wearings, so then I cut a hole in the back of the fabric and stuck the snaps on through the fabric, then reclosed the fabric. Those are the shoulder snaps on the vest, to the left and right of the neck hole.
These pictures show the tabard snapped to the obi, then with the wide belt, then with the thin belt, from both front and back.
Thanks for reading so far...the next post with the remaining parts will be up soon!
His name is Amet Risu; he's a "Dark Jedi" who served with Exar Kun and Ulic Qel-Droma during the Great Sith War, thousands of years before the movie trilogies. Kun and Qel-Droma's various costumes are the strongest influence on my design.
I tried to signal the fact that he's a "Dark Jedi" of Qel-Droma's ilk (i.e. not religiously committed to the Sith so much as being opposed to the Jedi) through the orange saber, the purple robe, and the use of browns rather than just blacks (which you’d normally see in Sith).
The armor, which you can't see well while I'm wearing it, but can see in the detail shots, is a medieval style called Brigandine. The comics this character derives from, the various Tales of the Jedi series, signaled the difference between various Sith and Jedi sub-cultures and eras by basing their armor and clothes off Egyptian, Roman, and other Earth styles. I decided to go with Brigandine partly to work as real armor while dueling, but also following this idea of basing his armor off another ancient Earth style of armor.
I also played with styles that came from the Knights of the Old Republic comics (like Zayne Carrick, born 3982 BBY) and the slightly-later Old Republic video games (basic Jedi battle armor like Ven Zallow’s and Kao Cen Darach’s; ~3650-81 BBY). For comparison, Exar Kun and Qel-droma died in 3996 and 3986 BBY, respectively. All of which seems like a really long explanation but I know my fellow Star Wars folks can be deeply invested in canon details (as I am, myself) so I figured I'd throw the sources out there to put my thinking into context.
I made this armor to wear to cons, but also to wear as actual armor for my lightsaber dueling club, so all the foam, etc. was made with actual protection in mind. I would also be wearing protective gloves and a fencing helmet while dueling. We use light-touch sparring, so I’m trying to minimize the effect of a light strike, not to be a tank.
I forgot to take almost any in-process pictures, but I should be able to describe things well enough while looking at the finished pieces.
I am quite happy with this; it’s probably my technically most well-made piece so far, especially in terms of sewing. I wore it out to C2E2 at the end of February, one of the last cons to actually take effect before the Great Desolation. I also gave it a practice run doing lightsaber forms in my saber class, where it provided a good level of freedom of movement; I could do the forms well. I haven’t had a chance to duel in it yet.
Cloak
The cloak is short-sleeved, like the Old Republic cloaks worn by Ven Zallow and Kao Cen Darach. It is purple, inspired by Exar Kun.
I made it based off a bunch of patterns and instructions for Jedi robes all over the internet, which are also pretty similar to how Jawa robes are made. I folded the fabric in half at the top of the sleeves, then folded it in half again vertically. Then I cut out a mostly bell-shaped pattern with triangles for the arms.
What felt very fancy for me was double-rolling the hems to keep them fancier-looking and more finished.
I also sewed a tape up the vertical front seam on both edges.
The hood is a big rectangle folded into a square, with a curved back corner. I lined the hood so the seams would look finished. In order to attach the hood well, the seam slants down a bit on the lapels, as you can see. This seemed to be the best fit.
Honestly while it’s not like it is an amazing feat of sewing science, I was damn proud of pushing the extra level of finish beyond what I’ve done in the past. It feels like actual clothes sewing, not cosplay clothes sewing, if you catch what I mean.
I want to emphasize here, as with the rest of the costume, that while I feel like this gets across the correct “feel” for how a Jedi cloak should be put together, it is also a creatively-designed piece, and not intended to fit exactly into canon designs or the standards of formal Star Wars costuming groups like the Rebel Legion (who I fully support, but that’s not what I was going for here).
Boots
The boots are basic spacey/pirate boots from online. I like the folded-over flap but am aware that not all people believe it is a Star Wars-y aesthetic.
Anyway, one issue with the boots is that they don’t fit tightly to the leg at the top. You can see that they are loose enough to extend past the leg by at least a few inches, towards either the front or back depending on how the leg is positioned.
This was a problem since I need to tightly wrap straps around my leg to attach the shin armor.
My solution, which worked out well, was to cover some upholstery foam in fabric, then shove it in the back of the boot to make it more stable. I covered the upholstery foam with leftover fabric. I used a little black, to match the pants, on top, but didn’t have enough to make it all black. I covered the rest in brown, but that’s fine. The only part you can see, even if the backs of my legs are not covered by the cloak (as they usually are) is the top sliver that’s covered in black.
When I first put them in, these inserts rode up out of the boot over time. I now attach them to the inside of the boot using Velcro.
Straps
Being based off ‘90s designs as it is, this costume involves a lot of straps, many completely pointless, and just there for the pure strappiness of it all.
The straps are leather. I attached a couple different styles of bronze buckles to the ends, using rivets to close the ends around the buckles.
Then I used E-6000 to glue some smaller pieces of leather in loops. These small loops go through the riveted loop, and hold down the other end of the strap when it is buckled together.
For a couple straps I tied small leather thongs through the riveted loop instead, just for variety’s sake; I wanted the straps to have a somewhat jerry-rigged feel, so they’re not all the same. I punched in a bunch of holes in the other end for the buckle’s prong to go through. With a lot of holes, I can just wrap it around however I want and still get a hole that fits, instead of worrying about getting the wrapping pattern exactly the same each time I put it on.
A couple times, I riveted two lengths of leather together end to end to make a longer strap.
This was the first time I used a leather hole punch, I am kind of addicted to it now.
Leather Belts/Obi (the cloth belt)
Again, this design is based off many existing fanmade and canon Jedi belts, but I altered it as needed. Jedis typically layer three belts on top of each other: a cloth belt on the inside, called an obi, with a wider leather belt on top of that, and a thinner leather belt on top of that.
The obi is the same fabric as the tabard, which is the vertical brown sash. It’s a linen, I just liked the feel of it. I hemmed the edges, and put in three snaps at the end, the outside caps of which are hidden by the hem so you can’t see them when it’s snapped.
There are also snaps in the center, running horizontally. These connect the obi to the tabard, and the wide leather belt to the obi. I didn’t have these snaps when I first wore it, and it was OK, but over time the belt would slide down, even while just walking, and required regular adjustments to keep it in place. Under dueling conditions, it would obviously need to be fixed in place.
So, it now has small inward-facing black plastic snaps to connect the obi to the tabard, and heavier outward-facing metal snaps to connect the obi to the wide leather belt. All these snaps are covered by the wide leather belt so you can’t see them while it’s worn. I prefer the small plastic snaps for their lightness, and they work for the fabric-on-fabric connection of the obi/tabard, but the metal ones are sturdier and necessary to hold the heavier leather belt.
The wide leather belt then has inward-facing snaps to connect to the obi running through its horizontal center, and snaps at the ends to connect the ends of the belt. There is also a third snap at one end, which connects to a piece of leather that wraps vertically around the end of the belt. This piece covers up the snaps that close the belt, and itself snaps on the inside so you can’t see its own snaps. It is in the back of the belt. Most Jedi belts use a wider wraparound piece than I did here.
The wide belt also has eight outward-facing Sam Browne screw/studs in pairs. These hold the thin belt in place.
The thin belt, which runs through the Sam Browne studs, is also held in place by the vertically-wrapping piece of leather in the back. In the front, the thin belt connects at the buckle. The buckle is a thrift store-find. There are canon-style Star Wars buckles that you can get, but they’re typically associated with specific Skywalker-era Jedi, and I wanted something that was older, and unique to the character. I honestly stressed over this more than just about anything, and couldn’t find anything that felt sci-fi enough. Then I found this simple black circle on a thrift store belt, and it just felt right.
The ends of the thin belt wrap around the circle-buckle, and then attach to themselves via ¼” Chicago screws. I put a couple holes in the end so I can adjust it for tightness around my waist. When the thin belt is in place, you can’t see any of the snaps below it. The image above shows it with the thin belt partially in place so you can see where the snaps are below.
Tabard
This is the paired vertical brown sashes. Tabards are standard in Skywalker-era Jedi, but are not as ubiquitous in the Old Republic. However, it felt like a good design element to incorporate. Even in the Skywalker era, there are many different ways to do this—some longer, some shorter, etc. I designed it so they are separate in the front, but come together to create one piece of cloth in the back.
I also sewed vinyl patches on the lower front strips, the lower back strips, and over the shoulders. The intent was to create a slight extra degree of cushioning in the loins and shoulder while dueling, in addition to being a visual accent.
As I noted earlier, I originally just had the obi/belts rest on top of the tabard, but it slipped down over time, so I connected the obi to the tabard using small black snaps. You can see them here; there are two sets on the front and back because it was a pain in the butt to measure, and the weight of the belt pulled the tabard fabric down more once it was attached, so I had to raise the snaps. So I actually only use the top snaps on the front and back of the tabard.
The tabard is also connected to the chest armor by single snaps at the top of both shoulders. If you don’t have these snaps, the tabard slips off the shoulders really easily. I added them after sewing on the vinyl, but should have done it earlier. My first attempt was just to E-6000 the snaps on, but they came off after a few wearings, so then I cut a hole in the back of the fabric and stuck the snaps on through the fabric, then reclosed the fabric. Those are the shoulder snaps on the vest, to the left and right of the neck hole.
These pictures show the tabard snapped to the obi, then with the wide belt, then with the thin belt, from both front and back.
Thanks for reading so far...the next post with the remaining parts will be up soon!
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