pulled both shots into photoshop, lined them up, and applied a shadow in the appropriate areas
your dish is fine, the harsh lighting and shadows on the filming model, make it look deeper
I think another challenge here is that in nearly all of the studio shots, the near edge of the dish in each such photo is in deep shadow, making it a bit deeper to assess how tall the lip is.
Rationalization, I know... But I have to find a comfort spot somehow!
Here's the best shot I have lit like this:
especially the radials off the north pole. Not sure that I'll redo the radials though.
Its funny though - placed in context, you can see how I was right about some of my detailing being a bit heavy-handed, especially the radials off the north pole. Not sure that I'll redo the radials though.
Brad, don't get me wrong though - super cool shot and I'm glad you whipped it up! And dude - you're gonna have to come down one weekend to help jump in on the masking and painting; especially in isolating a consistent splatter process.
I am not sure about the heavy handedness.
Remember you took this photo from amybe 4-6 feet away and the original shot was probably twice that far away with a wide angle lense. That can distort things a bit.
As for coming down and helping out. I would love it. The next 3 Saturdays are out but let me know after that!
Brad
you're scaling and line up is better then you think
the only thing I did to the top image was add a quick and dirty shadow
...the detail line up is pretty damned impressive