Analyzer
Master Member
Interesting.I had always thought it was all a painting, but...
"Now, since I was coming in a bit late, I thought, why don’t we do things a bit differently, that is, use a photograph of this thing. It’s a technique that nobody really said much about because a lot of people thought it was cheating.
The shot happens at magic hour on Cloud City; there needed to be a real glow to it. So we took the model outside in the parking lot of ILM and we waited for a magic hour and I took my Hasselblad camera and I photographed it with natural light, with the cross-light of the sun just as it was going down. Then we took that to a still lab and had them blow it up onto color print film. That’s what got placed on the glass."
Of course they flipped it since that is technically the wrong side
"Now, since I was coming in a bit late, I thought, why don’t we do things a bit differently, that is, use a photograph of this thing. It’s a technique that nobody really said much about because a lot of people thought it was cheating.
The shot happens at magic hour on Cloud City; there needed to be a real glow to it. So we took the model outside in the parking lot of ILM and we waited for a magic hour and I took my Hasselblad camera and I photographed it with natural light, with the cross-light of the sun just as it was going down. Then we took that to a still lab and had them blow it up onto color print film. That’s what got placed on the glass."
‘Empire Strikes Back’ at 40: How iconic Slave 1 matte painting was done
Behind the scenes of the Star Wars The Empire Strikes Back matte painting with Harrison Ellenshaw. Boba Fett, Slave 1, Industrial Light & Magic, ILM, VFX,
beforesandafters.com
Of course they flipped it since that is technically the wrong side