It's nuts to try and jump right to where Avengers got to. That was marvels, what? 5th or 6th film?
If they were smart they try and reign in the budget and advertising so you don't have to hit 900M to turn a profit. That's just assinine.
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Good freaking lord, look at that ! Why does this Gordon even need Batman :lol That's very impressive though, but I don't really see why it would be necessary for Gordon's role. Or maybe he just likes to be in shape.
Those look fake to be honest.
Common sense says that this doesn't exactly apply to WB and DECU. Remember that TMNT and Tomb Raider were brand-spanking new properties so their first impression on the public served to brand the entire franchise in the public mind. The DECU characters have an existing history of multiple iterations on the big screen. Every time there's a new Batman/Superman film with new director/actors the public, and certainly the fan base, are quick to reset their brains and watch the film with no preconceived notions. Crappy Schumacher Batman films did not sink the franchise. A brooding, self-centered and homicidal Superman didn't sink the character. Superman and Batman, like 007 will never retire and will always make money. Marvel is tasked with churning out fresh material with each film in order to stay viable. An Iron Man reboot is not really an option for them. Superman reboots will always have an audience.Interesting box office analogy for Justice League using TMNT2 as an example:
http://www.forbes.com/sites/scottme...errible-news-for-justice-league/#4289ff6e318f
Even if WB fixes all of the mistakes in BvS, has there been too much brand damage to expect JL Pt 1 to perform at Avengers BO levels? May take the DCEU a bit longer before they can get to where they want to be.
Common sense says that this doesn't exactly apply to WB and DECU. Remember that TMNT and Tomb Raider were brand-spanking new properties so their first impression on the public served to brand the entire franchise in the public mind. The DECU characters have an existing history of multiple iterations on the big screen. Every time there's a new Batman/Superman film with new director/actors the public, and certainly the fan base, are quick to reset their brains and watch the film with no preconceived notions. Crappy Schumacher Batman films did not sink the franchise. A brooding, self-centered and homicidal Superman didn't sink the character. Superman and Batman, like 007 will never retire and will always make money. Marvel is tasked with churning out fresh material with each film in order to stay viable. An Iron Man reboot is not really an option for them. Superman reboots will always have an audience.
Photoshop perhaps...it does look a little over the top after a second viewing. Nothing saying the guy can't stay in shape though.
After some googling, it seems like its fairly legit. he has pretty large arms in Whiplash.
People now referring to him as Gym Gordon. hahaha. Love it
No doubt DC/Warner's creative credibility was harmed by BvS. I wouldn't argue otherwise. I just don't think it's as bad as was the case with TMNT.Agree with you on reboots but JL isn't a reboot. I think the perception on a sequel is influenced by its predecessor and the GA can tell if it's a reboot based on the actors, and even strong brands like Superman and Batman aren't immune to that. These characters will still make a ton of money based on brand value alone, but we've seen that alone isn't enough to compete with the biggest Hollywood franchises in the box office. And TMNT is no way a new property btw, the Bay films benefited from prior films and cartoons. The article was about performance within a franchise, and getting comfortable with the notion that Justice League will do better than BvS with an ensemble format and a moderately better film quality may be a dangerous presumption for WB.
I just don't think it's as bad as was the case with TMNT.
We're pretty much on the same page here.
No doubt DC/Warner's creative credibility was harmed by BvS. I wouldn't argue otherwise. I just don't think it's as bad as was the case with TMNT.
I wouldn't dare imply that JL will not have been affected by BvS. At best JL will be viewed according to its own merits - neither hindered nor boosted by BvS and the public watching it with an open mind. That's actually a big blow when you consider what would have been the case had BvS been a smash hit. If BvS earned 1.5 billion then JL would be a shoe-in for at breaking every box office record at least for opening weekend. As it stands JL won't have the momentum of success behind it. It won't even have the same momentum of speculative hype that was enjoyed by BvS. IMO it will have to be pretty goshdarn phenomenal if it's going to earn more than its predecessor.
We're pretty much on the same page here.
I really hope DC/Warner's lesson isn't about selling the films on humor now. They were initially correct in trying to keep a distinctly different tone than MCU. There's nothing wrong with "dark" but their failing has been the execution. A good "dark" film isn't just about being morose. It needs to be thematically layered and, so far, MoS and BvS are pretty shallow thematically and with their characters. In other words, the "formula" for success is just good writing - it doesn't matter if it's comedic or tragic.
Statements from Fox 's writer/producer Simon Kinberg about a proposed FF sequel seem to show they don't get it, either. "We'll try to be truer to the essence of the tone of Fantastic Four, which is completely - well, not completely, but largely - distinct from the X-Men, which is brighter, funner, more optimistic tone." He still doesn't get it. FF isn't about being bright and fun. I've ranted about FF before so I'll spare you the complete digression.
I really hope DC/Warner's lesson isn't about selling the films on humor now. They were initially correct in trying to keep a distinctly different tone than MCU. There's nothing wrong with "dark" but their failing has been the execution. A good "dark" film isn't just about being morose. It needs to be thematically layered and, so far, MoS and BvS are pretty shallow thematically and with their characters. In other words, the "formula" for success is just good writing - it doesn't matter if it's comedic or tragic.
Statements from Fox 's writer/producer Simon Kinberg about a proposed FF sequel seem to show they don't get it, either. "We'll try to be truer to the essence of the tone of Fantastic Four, which is completely - well, not completely, but largely - distinct from the X-Men, which is brighter, funner, more optimistic tone." He still doesn't get it. FF isn't about being bright and fun. I've ranted about FF before so I'll spare you the complete digression.