The best L.A. chase scene that actually DOES depict traffic is in one of the best, most subversive action movies ever: To Live and Die in L.A. GOD that is such a good movie.
That movie is such a terrific forgotten classic. I've watched it at least a dozen times (maybe two dozen).
There is so much to love in the film:
The superb opening sequence with the suicide bomber.
The airport foot chase.
The infamous car chase against traffic.
In fact every action sequence is tightly edited and superbly perfomed.
The counterfeiting montage.
The terrific soundtrack.
William Peterson has a great action hero presence. He walks like a cowboy and looks great running. Everything he does is unique from the way he holds his gun to how he kicks open the bathroom door in the airport. I don't think he has ever been better or more engaging to watch.
Also one of Willem Dafoe's best performances if not his best. (That moment where he breaks into the guy's house to get his money back and deftly sips a Coke he probably grabbed from the guy's own fridge is such a simple but brilliant gag. I wonder if that was improvised.)
This is when I first noticed John Turturo who was perfectly slimy from every angle.
This film subverts expectations at every turn - folks get suckered when you don't expect it; the outcome of fistfights isn't necessarily obvious and the whole film is a complete subversion of both the rogue cop and buddy-cop genres.
I think it's the final plot twist that sours the film for a lot of viewers who expected a more traditionally satisfying ending. You're left with nobody with whom the audience can identify. I think it's just a brilliant statement that really drives the point that the film isn't about any one character but about the events and makes the title even more appropriate.
Man, it's been a couple of years since I've watched that movie. I have to see it again. I love that movie!