Rotwang
Sr Member
I feel it's rather telling that in a film titled Batman v Superman it turns out that Wonder Woman was the most enjoyable part.
Jesse's Lex was exactly as bad as I expected, though in a different way. I read a review that nailed part of the issue, he seems to think he's in an Aaron Sorkin film. His scheme was decent in a comic book sort of fashion. It'd have been nice it they'd touched even slightly on how he deduced Clark and Bruce's identities or what his interest in the metahumans was. The latter just stank of trying to fast track the team-up without actually building to it (much like the hall of Spider-villian gadgets in ASM2). The cameos were a waste of time, and having Flash show up in what might have been a dream with his vague wording doesn't help. I'm also uncomfortable with Flash advocating killing someone.
Speaking of which, Snyder has a fundamental misunderstanding of both Superman and Batman. Batman straight up killed people. At least in the Dark Knight trilogy they have the occasional "it's a wonder no one was killed" line to give him a pass on smashing cars with the Tumbler. There's no wiggle room here, people clearly die. Also, he repeatedly used guns. Not against doors or robots, but against humans. Repeatedly.
Then you have Superman, knowing full well that Batman is a vanilla human, throwing him through buildings under the assumption that the armor can save him. Superman wasn't fighting with the intent to kill, but Batman is alive only thanks to comic book physics. They were both fighting to kill, even if Superman wouldn't admit it. But hey, they at least learned their lesson when it came to the big fight. Every five minutes they remind us the area is abandoned so their won't be casualties. Kind of hollow after Batman's killed three dozen people, but it's something.
Did the budget go down for this one, since they set the last hour of fighting at night to mask the dodgy CGI?
I lost count, did Lois have to be rescued three times in this movie? That's a higher number than the last film, right? Full-on damsel mode/love interest with just a tiny bit of doing her job to keep her from being one-dimensional. Martha Kent somehow topped Aunt May as the superfluous surrogate mom, which is impressive. But she had to be in there so Superman and Batman could hug it out over having mothers with the same name.
Speaking of useless parents: of the two options for a dead father to give Clark a pep talk to keep heroing they chose the one who had previously told him repeatedly to hide his powers and let people die? Was Kevin Costner just cheaper?
The whole thing was about a half hour too long, and completely joyless. I somehow enjoyed it both more and less than MoS, which just says how unbelievably uneven I find MoS.
Some good stuff: WW rocked, Batfleck was fine (if you like Frank Miller's take on the character at any rate). WW's theme was the only piece of music that wasn't banal, which makes sense.
Wonder Woman's too far into production to really be impacted by this piece of poo, but hopefully they take a step back and reassess everything else. Get Zack Snyder away from these films, please!
Batman is treated like Iron Man whenever he's subjected to an obscene amount of acceleration/deceleration, they just assume the armour stops all G-forces.
I'm slightly partial to Snyder's Batman, he's the cynical disillusioned Batman who discovered that after 20-years of punching crooks in the face and terrifying them of every bump at night, he has essentially made zero progress. Ditto for Wonder Woman who probably saw more death in her life than the mortician's guild's full membership in its entire existence. It's ironic that in this universe Superman is the closest equivalent of a bright young idealist who. It we be very nice if Snyder's Justice film is a little bit brighter and more colourful ...
As for the dodgy CGI there is the moment where Superman is talking with Lois and then flies off and it's all done offscreen with a big air pump to show the air displacement, I'm not sure if this is a callback to the early days where practical effects were just too convoluted to film it or they were just being cheap and saved a CGI sequence ...
I agree that Lois Lane is a molecule short of two dimensions, she didn't even get a wardrobe change, she was in a blouse and vest in the last as well ...
Overall it was a huge improvement over MoS, but Snyder is writing or characterisation, I don't have a problem if they want to keep him on board as director, but leave the plotting and writing to people who know their jobs.
I think the biggest problem is that Snyder doesn't understand how death works in a narrative, it's not about the death-toll or the act of killing, it's how you frame it within the story and how it affects the characters. In MoS they never made a reference to the carnage and in the end scene it was business as usual. My take on this is simple oversight, Snyder wanted some major destruction porn, yet never stood still by the fact that it made Superman look like a dick ... This is addressed in BvS a few times and I suspect with a large amount of 20/20 hindsight and a lot of help from everyone who pointed out this problematic plot point.